Download omohide poro poro
Best Mystery Titles. Best of Most Popular Time Travel Dramas. Edit this Page Edit Information. Buy on Amazon. Add to List. Ratings: 7. Reviews: 0 users. Add Cast. Matsuzaka Keiko Sugimoto Taeko. Watanabe Anne Sugimoto Natsuki. Yokomizo Naho Sugimoto Mizuki.
Asano Kazuyuki Sugimoto Masanobu [Taeko's husband]. Hamada Mari Murata Machi [Taeko's friend]. Yamanaka Takashi Sakaguchi [Theater company director]. Sebagai anak perempuan, Taeko juga kerap diusili dengan dijodohkan bersama anak laki-laki. Dari penggambaran karakter, Taeko bukanlah sosok yang menonjol di sekolahnya. Ia tidak pandai dalam matematika.
Ia juga tidak antusias pada olahraga. Dengan kata lain, karakter Taeko ini dibuat dengan pola paling standard seorang anak dalam anime. Di usia 27, Taeko telah bekerja di sebuah perusahaan swasta. Untuk usia tersebut, Taeko sudah dianggap terlalu tua dengan menunda menikah. When his initial project fell through, he reconsidered. Ghibli's two lead directors, Isao Takahata and Hayao Miyazaki , sitting in a bullet train while they were heavily into production.
The executives behind Studio Ghibli were initially reluctant in having Takahata on board as director. Takahata already faced scrutiny after his previous film Grave of the Fireflies faced numerous production delays. People are wary of this kind of story.
The heroine is years old and it is not a dramatic story. These are not the classic elements of an animated film. Normally, no financier would accept. They would all be too scared. But producer Miyazaki reassured them with aplomb. They thought the idea must be good since it came from him. This is how it went. When we go over budget, they think they will get their funds back otherwise.
Who influences them? Hayao Miyazaki, without a doubt. The pair barely spoke with one another during production. During the long and grueling production of the feature film, several major changes had taken place within the studio. In November , an annual recruitment was put in place, which included an animation training program. Miyazaki also successfully lobbied to have animators salaries doubled, which inevitably led to higher production costs. Soon after these changes were made, serious attention was made in how Ghibli's films would be promoted in order to maximize box office revenue.
The film's production committeee, consisting of Yasuyoshi Tokuma , Miyazaki and Takahata announcing the film's production period and release date. Unlike the typical Japanese character animation style, the characters have more realistic facial muscles and expressions due to the dialogue being recorded first the tradition in Japan is to record it after the animation is completed and the animators fit the animation to the spoken dialogue.
Only Taeko's childhood past which has a more typical anime style was animated before the voices were recorded. There is a repetitive Eastern European theme in the film, particularly in the soundtrack reflecting the peasant lifestyle still present in the area and the parallels this draws with Japanese rural life. Folk songs from the area repeatedly occur in the film. Instruments used include the prominent nai played by Zamfir himself, cimbalom and violins.
Takahata and his animation staff visited Mr. Inoue's safflower farm during a research trip. Inoue himself was impressed at the attention to detail in the film's finished backgrounds. Adaptation from a Hungarian traditional folk song.
Bulgarian folklore music is also used in the soundtrack. These are typical Bulgarian folklore songs and the lyrics of both are connected to topics mentioned in the film — the life of farmers and marriage.
Miyazaki, Takahata and the animation staff had a special gathering before the final, arduous push towards the production deadline. Seen here is Miyazaki singing a song. True to form, Takahata's formalistic mania caused delays in the film's production. The film was set to be completed by the end of , however its release was postponed until the summer of Miyazaki found himself having to explain the six-month delay to the film's financier backers instead of Takahata.
Takahata works two or three times slower than me. I would like to have this time to finish my films. It exhausts everyone.
Sometimes I get mad at him. This is the one that annoys me the most. My wife, next door, it's nothing. When I'm pissed off, I curse it all night! It happens to make me like that. But at the same time, I trust him when it comes to the content of the films or his way of thinking.
I can speak with him with confidence. Released in , Omoide Poro Poro set new box office records 2. Similar to Kiki's Delivery Service , the film remained number one at the box office for the year. The financial results exceeded the expectations of Isao Takahata and Hayao Miyazaki , and reinforced the policy of Ghibli's general manager at the time Toru Hara , who saw the studio representing three Gs, that is to say: Big expenses, Big risks and Big fallouts.
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